2023
The Well-Coordinated Pianist, Avery Alexander
Jazz Choir Arranging: Tips and Best Practices, Connor Bennion
Verse Engineering: A Compositional Analysis of World Music Cultures, Mosey Brown
Women in Classical Music, Caitriona Cassel
Simple Gifts in Wind Band Repertoire: A comparative analysis of three wind band pieces featuring the Shaker melody "Simple Gifts", Jared Johnson
alternative milks: a musical exploration of identity, violence, and friendship, Fern Keely
The Neuroscience of Creativity (Structure and Emotion), Michael Kihanya
Facing the Music: Reflections from a Classically Trained Violinist, Olivia Palmer
Exploring the Evolution of Jazz Drumming Through Recordings: A Jazz Lineage, Gary Stivers
Steel Bands in US Secondary Classrooms: Process and Pedagogy, Jonathan Woods
2022
Vocal Pedagogy With The Contemporary Commercial Music (CCM) Singer., Clarkia Cobb
Western Symphony Orchestra April 29, 2022 Program Notes, Johnathon Lyons
Audio Engineering, Sound Production, and Cultural Documentation Portfolio, Christian Michael McGovern
A Canon Within a Canon: The Influence of the 30 berühmte Quartette on the Contemporary Reception of Haydn’s String Quartets, Casey Mullin
Ear Training and Skill Building Within the Vocal Jazz Ensemble, Mike Scott
2021
Transcribing Ragtime for Guitar, William Brehm
2020
Pixel Composition: Converting Images to Music, Eric Anderson
Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein, Nicholas Bygate
Non-Traditional Music Classes in Secondary Public School Music Programs, Patrick J. Doran
Novice Music Teachers: Beginning Secondary Music Teachers and the Challenges of Classroom Management, Christopher Kelley
C.A.L.M., Jessica McCutchen
2019
String Sinfonia, June 3, 2019, Program Notes, Mika Armaly
Rhythmic Structure and Style Characteristics in the Medium of the Beatles, Robert Creigh
Exploring Trauma, Healing, and Accountability through Music, Mieke Johanna Doezema
Peru's Musical Heritage of the Viceroyalty: The Creation of a National Identity, Fabiola Yupari
2018
On the Outskirts of Europe: Mikhail Glinka and his Spanish Overtures, Natalie Olivia Maeda
Science-based Bel Canto Pedagogy in Young Women's Voices, Claire McCullough
Conceptual Metaphor and its Role in the Composition, Performance, and Consumption of Music, Loren Natario
Shuksan Story: An Original Soundtrack Composition, Jonathan (Jonathan Mahan) Ross
2017
Building a Musical Theatre Program: A Standards Driven Curriculum for High School Educators, Emilee J. Buchanan
La Petite Maria de Normandie, Charles-John S. Fontillas
Magnum Opus: A Satirical Rock Opera, Alynn Sobolik
2016
Return to Sarah: for Orchestra, Nicaela Coté
-12°F: for orchestra, David Pangborn
2015
Ludic Suite: for Orchestra, Jon R. Bash
Music and Medicine, Thomas Zink
2014
Reinterpreting the Genevan Psalter: an examination of Psalm 128 as set by Goudimel, Sweelinck and Schütz, Sara A. (Sara Alicia) Ferguson
2012
Cerebral wave organics I: music for orchestra : 2011-2012, Ian D. McCunn
Currents: for orchestra, 2011-12, Todd Francis Smith
May Day: for orchestra, Spencer J. Thun
2011
The influences of German/Viennese singspiel and French opera comique Rescue Opera on Beethoven's Fidelio, Kelly Evelyn Evans
2010
Terminal, David Hal Campbell
After the dawn out comes the sun, Adam Hill
Castle symphony: for orchestra, Thomas Johanson
Fantasy for piano and orchestra, Mark M. Prall
1998
Symphonic Band Conducting Practicum, Allison Schmidtke
1990
Selecting Literature to Teach Musical Style in the High School Band, David Scott Lawrenson