The vast majority of theses in this collection are open access and freely available. There are a small number of theses that have access restricted to the WWU campus. For off-campus access to a thesis labeled "Campus Only Access," please log in here with your WWU universal ID, or talk to your librarian about requesting the restricted thesis through interlibrary loan.

Date of Award

Winter 2023

Document Type

Masters Thesis

Department or Program Affiliation

History

Degree Name

Master of Arts (MA)

Department

History

First Advisor

Pihos, Peter Constantine

Second Advisor

Seltz, Jennifer, 1970-

Third Advisor

Cerretti, Josh

Abstract

During the folk music revival period, roughly the early 1940s to the late 1960s, folk musicians, music collectors, and folk music insiders forged a connection between American folk music, the past, and ideas of cultural authenticity. In this national context of renewed interest in folk music traditions, folk music communities across the United States cropped up. This thesis analyzes the ideologies and activities of Pacific Northwest folk music communities in the 20th century, with a particular focus during and after the revival period. Typical narratives of the American folk music revival terminate at the end of the 1960s; however, in Washington state there continued to be vibrant and evolving communities based around folk music practice well into the 1980s. This thesis examines the use of folk music in the Northwest to reveal constructions of place and regional identity. Through an analysis of specific Washington state folk songs, communities like the Seattle Folklore Society and the Whatcom County Homemade Music Society, and the development of folk music projects forged in collaboration between folk musicians and state and national government, this thesis provides a deeper understanding to the function of folk music in the Pacific Northwest, the limits and potential of ideology, and the unstable character of the stories we tell about ourselves.

Type

Text

Keywords

folk music, folk festivals, Northwest history, American folk music revival, American folk singers, songbooks, music history, Seattle, Bellingham

Publisher

Western Washington University

OCLC Number

1372014287

Subjects – Names (LCNAF)

Seattle Folklore Society; Whatcom County Homemade Music Society

Subject – LCSH

Folk music--Washington (State); Folk music--Northwest, Pacific; Folk festivals--Northwest, Pacific

Geographic Coverage

Washington (State); Northwest, Pacific

Format

application/pdf

Genre/Form

masters theses

Language

English

Rights

Copying of this document in whole or in part is allowable only for scholarly purposes. It is understood, however, that any copying or publication of this document for commercial purposes, or for financial gain, shall not be allowed without the author’s written permission.

Included in

History Commons

Share

COinS