The vast majority of theses in this collection are open access and freely available. There are a small number of theses that have access restricted to the WWU campus. For off-campus access to a thesis labeled "Campus Only Access," please log in here with your WWU universal ID, or talk to your librarian about requesting the restricted thesis through interlibrary loan.
Date Permissions Signed
Date of Award
Master of Music (MMus)
Van Boer, Bertil H.
Rutschman, Carla Jean
The popularity of Psalm setting in the time of the Protestant Reformation is a topic that has seldom been explored in depth. By analyzing the Genevan Psalter, this thesis exposes the investigation of the inspiration veiled behind the masterpieces of Psalm 128 as set by three composers; Claude Goudimel, Jan Pieterszoon Sweelinck, and Heinrich Schütz. This music of the late Renaissance or early Baroque has been affected by outside incentives such as religion, culture, nationality, and the nature of the Reformation itself. By exploring the history of Psalmody during the Reformation, the experiences that each of these composers faced during their lifetimes, and by comparing their 128th Psalm settings, it can be determined why the fashion of Psalm setting evolved during this era and whether or not the music has withstood the test of time.
Western Washington University
Subjects – Names (LCNAF)
Goudimel, Claude, 1572-; Sweelinck, Jan Pieterszoon, 1562-1621; SchuÌˆtz, Heinrich, 1585-1672
Copying of this thesis in whole or in part is allowable only for scholarly purposes. It is understood, however, that any copying or publication of this thesis for commercial purposes, or for financial gain, shall not be allowed without the author's written permission.
Ferguson, Sara A. (Sara Alicia), "Reinterpreting the Genevan Psalter: an examination of Psalm 128 as set by Goudimel, Sweelinck and Schütz" (2014). WWU Graduate School Collection. 347.