Tiger Teeth Around Their Neck: The Cultural Logic of the Canonization of African American Literature
Document Type
Article
Publication Date
Fall 1996
Abstract
Marx's remark that history always happens twice - the first time as tragedy, the second time as farce - takes an odd twist in the case of the O. J. Simpson trial. the farce of the Simpson proceedings is anticipated by a tragic fiction - Richard Wright's Native Son. O. J. Simpson is certainly a more celebrated native son than bigger Thomas, but there are many striking congruences. The overdetermined questions swirling around a dead white woman and an accused black man, the spectacular chase scene (Bigger Thomas' chronicled in the newspaper, Simpson's on television), and the carnival trial focused on gruesome evidence and star lawyers are all part of Wright's 1940 novel. The juxtaposition of these two texts is interesting not only for the ways in which the details of the fiction predict the Simpson saga, but also for the way in which it highlights how our institutions of representation circumscribe the ways we talk about African American politics and culture.
Publication Title
Arizona Quarterly
Volume
52
Issue
3
First Page
99
Last Page
125
Required Publisher's Statement
Published by the University of Arizona Board of Regents
Recommended Citation
Lyne, Bill, "Tiger Teeth Around Their Neck: The Cultural Logic of the Canonization of African American Literature" (1996). English Faculty and Staff Publications. 13.
https://cedar.wwu.edu/english_facpubs/13
Subjects - Topical (LCSH)
American literature--African American authors
Subjects - Names (LCNAF)
Wright, Richard, 1908-1960. Native son; Simpson, O. J. 1947- --Trials, litigation, etc.
Genre/Form
articles
Type
Text
Language
English
Format
application/pdf
Comments
Arizona Quarterly is a green journal and allows the archiving of the publisher's version of the article.