Document Type
Book Review
Publication Date
10-2012
Keywords
Miracle plays, Medieval France
Abstract
The miracle plays of the fourteenth century brought sacred and secular narratives to the stages of medieval France. These relatively short performances present an episode in the life of a model Christian who faces a particularly difficult conflict or threat from within the social hierarchy of the medieval era or from among the dark forces emanating from hell. Predictably, divine intervention sustains the protagonist’s righteousness, remorse, steadfastness, or courage so that s/he triumphs against these threats. Given their proclivity for this authoritative and moralistic backdrop, miracle plays tend to share a number of thematic and dramatic conventions. Alongside divine mediation we find rhymed couplets, contemporized narratives, integrated sermons and hymns, as well as a speech-then-action performance style, all characteristics common to these productions
Publication Title
H-France Review
Volume
12
Issue
134
Required Publisher's Statement
Copyright © 2012 by the Society for French Historical Studies
Recommended Citation
Hamblin, Vicki L., "Carol J. Harvey, Medieval French Miracle Plays: Seven Falsely Accused Women." (2012). Modern & Classical Languages. 55.
https://cedar.wwu.edu/mcl_facpubs/55
Subjects - Topical (LCSH)
Mysteries and miracle-plays, French--History and criticism; French literature--To 1500--History and criticism
Subjects - Names (LCNAF)
Harvey, Carol J., 1941-. Medieval French Miracle Plays
Geographic Coverage
France
Genre/Form
reviews (documents)
Type
Text
Language
English
Format
application/pdf