Document Type
Article
Publication Date
2006
Keywords
Bengt Lidner, Gustavian opera
Abstract
When the Gustavian opera was inaugurated on 18 January 1773 with a performance of Johan Wellander and Francesco Antonio Baldassare Uttini’s Thetis och Pelée, the anticipation of the new cultural establishment was palpable among the audiences in the Swedish capital. In less than a year, the new king, Gustav III, had turned the entire leadership of the kingdom topsy-turvy through his bloodless coup d’état, and in the consolidation of his rulership, he had embarked upon a bold, even politically risky venture, the creation of a state-sponsored public opera that was to reflect a new cultural nationalism, with which he hoped to imbue the citizenry with an understanding of the special role he hoped they would play in the years to come. Proclaiming himself as “the first citizen among a nation of free citizens,” Gustav sought to recreate the primary position Sweden had played in European politics during the so-called Stormaktstid of the previous century, while at the same time give the public a form of entertainment that would both please the aesthetics of the time and educate them on their destiny as a nation, with himself as their popular ruler.
Publication Title
TijdSchrift voor Skandinavistiek
Volume
27
First Page
55
Last Page
76
Required Publisher's Statement
The TijdSchrift voor Skandinavistiek is an open access journal.
Recommended Citation
Van Boer, Bertil, "The Greatest Opera Never Written: Bengt Lidner’s Medea (1784)" (2006). Music Faculty and Staff Publications. 3.
https://cedar.wwu.edu/music_facpubs/3
Subjects - Topical (LCSH)
Opera--Sweden--17th century
Subjects - Names (LCNAF)
Lidner, Bengt, 1757-1793. Medea; Gustav III, King of Sweden, 1746-1792
Geographic Coverage
Sweden
Genre/Form
articles
Type
Text
Creative Commons License
This work is licensed under a Creative Commons Attribution 3.0 License.
Language
English
Format
application/pdf
