Senior Project Advisor

Lori Martindale

Document Type

Project

Publication Date

Spring 2025

Keywords

Shakespeare, Ophelia, Gender, Madwoman, Madwoman trope, Objectification, Othering

Abstract

This paper explores the cultural development of the literary madwoman trope, arguing it is iconicized by Shakespeare’s Ophelia and traceable through the maladaptive evolution of her identity through history, in which she is objectified and othered through patriarchal institutions of psychiatry, art, literature, and music. Through this objectification and othering, this paper summates that the madwoman trope has come to be defined by this erasure of identity that Ophelia endures, and contemporary womanhood is thus defined by one’s ability to inhabit the perfect intersection between madness and beauty.

Department

Honors

Type

Text

Rights

Copying of this document in whole or in part is allowable only for scholarly purposes. It is understood, however, that any copying or publication of this document for commercial purposes, or for financial gain, shall not be allowed without the author’s written permission.

Language

English

Format

application/pdf

Available for download on Thursday, January 29, 2026

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