"A Celebration of Historic Female Agency" by Caitlin Nuckolls

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Date of Award

Winter 2025

Document Type

Masters Thesis

Department or Program Affiliation

Department of Music

Degree Name

Master of Music (MMus)

Department

Music

First Advisor

Dudenbostel, Heather

Second Advisor

Youngblood, Felicia

Third Advisor

Hodges, Richard (Musician)

Abstract

The following program notes were written in preparation for a public recital held on December 7th, 2024. The recital was an exploration and celebration of the portrayal of female agency in Western classical vocal music, focusing on the lives and legacies of historic female figures. I chose to perform the characters of Agrippina, a Roman empress, mother of Jesus and Christian symbol Mary of Nazareth, the first five wives of King Henry VIII, and the French mathematician Emilie du Châtelet. I also speak on the composers of these works who brought these women to life and offered them the opportunity to be depicted in this way. I highlight the differences often apparent between how male composers and female composers interpret female characters and have offered a selection of pieces by both male and female composers that I believe feature female agency.

Type

Text

Keywords

Opera, agency, history, women, program, notes

Publisher

Western Washington University

OCLC Number

1506075101

Subjects – Names (LCNAF)

Agrippina, Minor, 15-59--Songs and music; Mary, Blessed Virgin, Saint--Songs and music; Catherine, of Aragon, Queen, consort of Henry VIII, King of England, 1485-1536--Songs and music; Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536--Songs and music; Jane Seymour, Queen, consort of Henry VIII, King of England, 1509?-1537--Songs and music; Anne, of Cleves, Queen, consort of Henry VIII, King of England, 1515-1557--Songs and music; Catherine Howard, Queen, consort of Henry VIII, King of England, -1542--Songs and music; Du Châtelet, Gabrielle Emilie Le Tonnelier de Breteuil, marquise, 1706-1749--Songs and music

Subject – LCSH

Women in music; Music by women composers--History and criticism

Format

application/pdf

Genre/Form

masters theses

Language

English

Rights

Copying of this document in whole or in part is allowable only for scholarly purposes. It is understood, however, that any copying or publication of this document for commercial purposes, or for financial gain, shall not be allowed without the author’s written permission.

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