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Date Permissions Signed
7-20-2011
Date of Award
2011
Document Type
Masters Thesis
Degree Name
Master of Arts (MA)
Department
History
First Advisor
Jimerson, Randall C.
Second Advisor
Kurtz, Tony, 1965-
Third Advisor
McKinney, Gary (Gary Russell)
Abstract
Master recordings as products created by the music industry are some of the greatest time capsules in American culture. Throughout the history of the music industry master recordings received little attention and were not appreciated for the informational and evidential values held within the recordings. American archival theory provides the solution to help prevent the loss of master recordings and hence the loss of a piece of America's culture. Through archival preservation and partnerships between record companies and independent archives, master recordings and the American culture contained within them have a better chance than ever of surviving for many years to come.
Type
Text
DOI
https://doi.org/10.25710/wby1-cd44
Publisher
Western Washington University
OCLC Number
750593713
Subject – LCSH
Sound archives--United States; Music trade--United States--Management; Sound recording libraries--United States; Sound recordings--Conservation and restoration--United States; Copyright--Sound recordings--United States; Copyright and digital preservation--United States
Geographic Coverage
United States
Format
application/pdf
Genre/Form
masters theses
Language
English
Rights
Copying of this document in whole or in part is allowable only for scholarly purposes. It is understood, however, that any copying or publication of this thesis for commercial purposes, or for financial gain, shall not be allowed without the author's written permission.
Recommended Citation
Shay, Joseph, "Preserving 'His Masters' Voice': the archival significance of master recordings" (2011). WWU Graduate School Collection. 159.
https://cedar.wwu.edu/wwuet/159