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Date Permissions Signed
5-9-2012
Date of Award
2012
Document Type
Masters Thesis
Degree Name
Master of Music (MMus)
Department
Music
First Advisor
Sommer, Lesley, 1967-
Second Advisor
Briggs, Roger, 1952-
Third Advisor
Hamilton, Bruce, 1966-
Abstract
In this work, orchestral color takes on a nebulous quality as it changes over time. The first major portion of the piece is driven by a single melody which typifies each subsection. As this melody repeats, it is sometimes veiled by orchestral color and strata in a pandiatonic fashion, with foreign pitches progressively thwarting its consonance. Rhythmic stratification takes on a stochastic quality and various musical events may support or combat motivic and thematic elements over time. The middle section is the culmination of stochastic rhythmic ideas and where motivic elements are derived from earlier ideas but now articulated through an atonal lens (melodic contours are maintained but pitches are altered). The idea of pandiatonicism returns as the piece reaches an apex with multiple layers of rhythmic syncopation and groupings. The piece closes with the return of the piece's opening texture which, like earlier sections, occurs seemingly by happenstance.
Type
Text
DOI
https://doi.org/10.25710/jsa8-r673
Publisher
Western Washington University
OCLC Number
793432739
Subject – LCSH
Orchestral music--Scores
Format
application/pdf
Genre/Form
masters theses
Language
English
Rights
Copying of this document in whole or in part is allowable only for scholarly purposes. It is understood, however, that any copying or publication of this thesis for commercial purposes, or for financial gain, shall not be allowed without the author's written permission.
Recommended Citation
McCunn, Ian D., "Cerebral wave organics I: music for orchestra : 2011-2012" (2012). WWU Graduate School Collection. 192.
https://cedar.wwu.edu/wwuet/192