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Date Permissions Signed
5-21-2012
Date of Award
2012
Document Type
Masters Thesis
Degree Name
Master of Arts (MA)
Department
History
First Advisor
Leonard, Kevin Allen, 1964-
Second Advisor
Kennedy, Kathleen, 1963-
Third Advisor
Neem, Johann N.
Abstract
At the height of the Cold War, films and books that focused on anticommunist themes used depictions of communism as a way to promote a certain understanding of the roles of men and women in the post-war United States. The end of World War Two caused a reconfiguration of American society, providing a context in which cultural productions, such as these anticommunist Cold War narratives, could provide competing interpretations for what this transformation of society meant for men and women's roles in the United States. These films and books collectively construct an ideology that idolized the family as the most important unit of American life. At the same time, they condemned men who focused on work life instead of the family, in particular expressing the view that modern society turns men in conformists and effeminizes them. In the case of women, these narratives praised strong women who were wives, but stigmatized unmarried women who showed independence. This response to the changes in post-war America was one of a range of responses, but an important one. By exploring the relationship between anticommunism and a critique of gender, we better understand the nature of the Cold War, and how it was focused not only on political battles but also cultural ones concerning gender roles.
Type
Text
DOI
https://doi.org/10.25710/861x-4442
Publisher
Western Washington University
OCLC Number
794458328
Subject – LCSH
Cold War--Social aspects--United States; Cold War in literature--History--20th century; Cold War in motion pictures--History--20th century; Women--United States--History--20th century; Men--United States--History--20th century; Masculinity--United States; Femininity--United States
Geographic Coverage
United States
Format
application/pdf
Genre/Form
masters theses
Language
English
Rights
Copying of this document in whole or in part is allowable only for scholarly purposes. It is understood, however, that any copying or publication of this thesis for commercial purposes, or for financial gain, shall not be allowed without the author's written permission.
Recommended Citation
George, Aaron, "Cold War fictions : gender, anticommunism, and the reconfiguration of the post-war United States" (2012). WWU Graduate School Collection. 201.
https://cedar.wwu.edu/wwuet/201