The vast majority of theses in this collection are open access and freely available. There are a small number of theses that have access restricted to the WWU campus. For off-campus access to a thesis labeled "Campus Only Access," please log in here with your WWU universal ID, or talk to your librarian about requesting the restricted thesis through interlibrary loan.

Date Permissions Signed

5-13-2010

Date of Award

2010

Document Type

Masters Thesis

Degree Name

Master of Arts (MA)

Department

English

First Advisor

Askari, Kaveh

Second Advisor

Laffrado, Laura

Third Advisor

Rivera, Lysa M.

Abstract

This essay examines the critical and narratological significance of landscape and geography in three American western films---John Ford's The Searchers (1956), Paul Thomas Anderson's There Will Be Blood (2007), and Clint Eastwood's Gran Torino (2008). Drawing on ecocritical, feminist, and Marxist theory in addition to film and genre theory, this essay insists on seeing the multiple denotative and connotative meanings on 'landscape' in American cultural production. The essay examines landscape as an artistic tradition of composed and framed natural beauty, as physical place and inhabited systems, and as fraught geopolitical space. This essay argues that an analysis of landscape in these films exposes the intricate relationships between land use, state formation, American capitalism, racial and ethnic difference, national identity, and gender identity. This project highlights the ways that social, cultural, and philosophical attitudes about race, gender, and national identity are attitudes that are constructed and formed in relation to physical spaces and geographic conditions, and this project emphasizes the dialogic nature of the relationships between sociophilosophical attitudes and physical realities. The essay argues that such an examination is of special importance now at a historical moment when anxieties and discussions about land, border and national security, and environmental impact are heavily mediated and theorized in a range of critical discourse communities.

Type

Text

DOI

https://doi.org/10.25710/efmr-h710

Publisher

Western Washington University

OCLC Number

636737262

Subject – LCSH

Searchers (Motion picture); There will be blood (Motion picture); Gran Torino (Motion picture); Landscapes in motion pictures--Social aspects

Format

application/pdf

Genre/Form

masters theses

Language

English

Rights

Copying of this document in whole or in part is allowable only for scholarly purposes. It is understood, however, that any copying or publication of this thesis for commercial purposes, or for financial gain, shall not be allowed without the author's written permission.

Share

COinS