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Date Permissions Signed
5-10-2017
Date of Award
Spring 2017
Document Type
Masters Thesis (Campus-Only Access)
Degree Name
Master of Fine Arts (MFA)
Department
English
First Advisor
Beasley, Bruce, 1958-
Second Advisor
Kahakauwila, Kristiana
Third Advisor
Lundeen, Kathleen, 1951-
Abstract
The formally-experimental poems in this collection explore the psychic spaces of female characters from Shakespeare’s plays. The collection includes self-portraits that grapple with women’s roles as depicted by Shakespeare and woman’s roles in Mormon culture, both heavily influenced by patriarchal structures that often silence or suppress marginalized voices. In the first section, the poet draws heavily from her own lived experience and Shakespeare’s The Tempest, Measure for Measure, and The Merchant of Venice in order to depict youthful innocence, dependency on the patriarchal structures in which she was raised, and her eventual faith crisis and separation from Mormonism. The second section focuses on The Winter’s Tale, meditating on the early loss of the mother and later reunion. The third section explores issues of gender fluidity and marriage inspired by character dynamics in Twelfth Night and The Merchant of Venice. The fourth section focuses on Macbeth and transgressive women who are often demonized for their power and ambition. The fifth section centers on A Midsummer Night’s Dream in order to explore creativity, regeneration, rebirth, posterity, and dream. Important influences for this collection include Carol Ann Duffy, Jorie Graham, Lucie Brock-Broido, Carole Maso, Terry Tempest Williams, Carol Lynn Pearson, May Swenson, and Susan Elizabeth Howe. The poet wrestles with received narratives of self, of femaleness and gender, and of Shakespeare.
Type
Text
DOI
https://doi.org/10.25710/x354-q930
Publisher
Western Washington University
OCLC Number
987856008
Subjects – Names (LCNAF)
Shakespeare, William, 1564-1616--Characters--Women--Poetry
Subject – LCSH
Identity (Psychology)--Poetry; Morman women--Poetry; Experimental poetry, American
Format
application/pdf
Genre/Form
masters theses
Language
English
Rights
Copying of this document in whole or in part is allowable only for scholarly purposes. It is understood, however, that any copying or publication of this thesis for commercial purposes, or for financial gain, shall not be allowed without the author's written permission.
Recommended Citation
Patterson, Dayna E., "O Lady, Speak Again" (2017). WWU Graduate School Collection. 570.
https://cedar.wwu.edu/wwuet/570
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