Document Type
Research Paper
Abstract
William Burroughs, his life and works, have a set beginning and end, but the biological and spiritual connections he draws between language, sound, and the human body appear to have undefined points of origin. Sound has always been. Language has always been. To exist outside of language and sound is to exist outside of time and space and thus outside the body. Burroughs’ theories on language, the word, and their connection to the body are woven through texts filled with structural and narrative convolutions. Nova Trilogy, especially The Ticket that Exploded, as well as the early novel Naked Lunch, establish a biological link between sex and sound, both musical, in instances of consumptive love. However, in the later trilogy, including books such as the Western Lands, love moves away from the body; despite the continued use of music and sound, the concept of love separates and becomes linked to the image of the cat. This shift demonstrates Burroughs’ understanding of society’s control system, as projected through morals, economy, and the notion of individuality, and suggests how the fight to escape these systems shaped Burroughs’ ideas of what love could or might actually be.
Genre/Form
articles
Recommended Citation
Cronin, Kathryn
(2015)
""What is Love?" The Sounds of Love from William S. Burroughs,"
Occam's Razor: Vol. 5, Article 3.
Available at:
https://cedar.wwu.edu/orwwu/vol5/iss1/3
Subjects - Topical (LCSH)
Love in literature
Rights
Copying of this document in whole or in part is allowable only for scholarly purposes. It is understood, however, that any copying or publication of this document for commercial purposes, or for financial gain, shall not be allowed without the author’s written permission.
Subjects - Names (LCNAF)
Burroughs, William S., 1914-1997--Criticism and interpretation
Language
English
Format
application/pdf
Type
Text
Included in
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